A bonus review this week! And a new release at that! Even better, an opening weekend release! Been AGES since I've seen something that new :) So, here you go: Green Zone.
Plot: Matt Damon stars as Chief Warrant Officer Roy Miller, a U.S. Army officer serving in Iraq and involved in the search for and disposal of WMDs. As Miller struggles to clarify a web of conflicting intelligence reports concerning the WMDs, he becomes drawn into power struggles in an unstable region.
The movie is "inspired by" Rajiv Chandrasekaran’s Imperial Life in the Emerald City. According to it's Wikipedia entry, the book focuses more on the occupation and American activities following the invasion. The book itself is non-fiction. Doesn't seem like the basis of an action-packed thriller, does it?
I honestly didn't know the plot when we went. Just vaguely adventure-ish, set in the current war in Iraq. Zach likes thinking, discussion-type dramas, so this was one of his picks. Figure I drag him along to enough random stuff in my taste that I could watch one of his "serious" movies :)
The cast was the strongest point in the movie. Matt Damon has really grown into an actor I like. Shame that he wasn't given as much to work with here. Greg Kinnear is a lovely bureaucrat. The supporting cast is very strong as well, nobody really jarring but nothing really exceptional either.
The movie itself lacked something. I think had it been more inspired by the book (which was described as similar to Catch-22 by some reviewers) it could have crossed more into the political thriller arena, something making more of a statement. Instead, it seemed... a repeat somehow. Jason Bourne set in Iraq. Just another action movie, not a classic. Not that it was a bad story or anything, but that it just wasn't making a statement like the source material could have been used to do. Add to that, the same star and same director (with same signature camera work, which I shall vent about in a moment) and you get something that doesn't feel as fresh as it could have.
My biggest problem with the movie: The camera work drove me absolutely CRAZY! I actually left the theater irritated, not with the subject or the writing or the acting, or any of that, but with the dang filming. Why does this director feel that if a character is running, then the camera has to be bouncing up and down and jerking all over too?? Yes, I suppose it's 'artistic' in terms of capturing the chaos of a wartime attack or a foot chase through a crowded train station, but it's obnoxious as all get out for those watching! If you didn't like the action sequences in the second and third Bourne movies, then you won't like this one. In fact, the last action sequence even ups it - less people than some of the Bourne sequences, but here it's at night with gunfire, so you have dim lighting and distracting flashes in addition to jerky camera movements and rapid-fire editing. I honestly had to look away from the screen several times in the action sequences in this movie because it was making me head hurt trying to focus.
And was it just Zach and I and the theater we were in, or did one of their night time cameras seem broken? There were stretches in that last sequence where the film was grainy, then it would be clear as they cut to another camera. It wasn't consistent enough to seem intentional, like if it had always been the same view that was grainy and the same views that were clear. It just seemed like one of the cameras wasn't filming clearly. Did not help with the whole hard-to-see thing.
I realize that there are other opinions however. A.O. Scott of The New York Times colorfully described director Paul Greengrass's direction, writing in his review that:
Overall: 2 of 5. Lots of potential not met. Good cast, but they could have been used better. Source material would have made for a great political thriller, but instead, we end up with another formulaic war action movie. Really irritating camera work - not for those with bad eyes.
The movie is "inspired by" Rajiv Chandrasekaran’s Imperial Life in the Emerald City. According to it's Wikipedia entry, the book focuses more on the occupation and American activities following the invasion. The book itself is non-fiction. Doesn't seem like the basis of an action-packed thriller, does it?
I honestly didn't know the plot when we went. Just vaguely adventure-ish, set in the current war in Iraq. Zach likes thinking, discussion-type dramas, so this was one of his picks. Figure I drag him along to enough random stuff in my taste that I could watch one of his "serious" movies :)
The cast was the strongest point in the movie. Matt Damon has really grown into an actor I like. Shame that he wasn't given as much to work with here. Greg Kinnear is a lovely bureaucrat. The supporting cast is very strong as well, nobody really jarring but nothing really exceptional either.
The movie itself lacked something. I think had it been more inspired by the book (which was described as similar to Catch-22 by some reviewers) it could have crossed more into the political thriller arena, something making more of a statement. Instead, it seemed... a repeat somehow. Jason Bourne set in Iraq. Just another action movie, not a classic. Not that it was a bad story or anything, but that it just wasn't making a statement like the source material could have been used to do. Add to that, the same star and same director (with same signature camera work, which I shall vent about in a moment) and you get something that doesn't feel as fresh as it could have.
My biggest problem with the movie: The camera work drove me absolutely CRAZY! I actually left the theater irritated, not with the subject or the writing or the acting, or any of that, but with the dang filming. Why does this director feel that if a character is running, then the camera has to be bouncing up and down and jerking all over too?? Yes, I suppose it's 'artistic' in terms of capturing the chaos of a wartime attack or a foot chase through a crowded train station, but it's obnoxious as all get out for those watching! If you didn't like the action sequences in the second and third Bourne movies, then you won't like this one. In fact, the last action sequence even ups it - less people than some of the Bourne sequences, but here it's at night with gunfire, so you have dim lighting and distracting flashes in addition to jerky camera movements and rapid-fire editing. I honestly had to look away from the screen several times in the action sequences in this movie because it was making me head hurt trying to focus.
And was it just Zach and I and the theater we were in, or did one of their night time cameras seem broken? There were stretches in that last sequence where the film was grainy, then it would be clear as they cut to another camera. It wasn't consistent enough to seem intentional, like if it had always been the same view that was grainy and the same views that were clear. It just seemed like one of the cameras wasn't filming clearly. Did not help with the whole hard-to-see thing.
I realize that there are other opinions however. A.O. Scott of The New York Times colorfully described director Paul Greengrass's direction, writing in his review that:
"There is plenty of fighting in Green Zone, most of it executed with the hurtling hand-held camerawork and staccato editing that are hallmarks of Mr. Greengrass's style. From Bloody Sunday through the second and third Bourne movies (which turned Mr. Damon into a minimalist movie star), this director has honed his skill at balancing chaos with clarity... [He] choreographs foot chases and gun battles that unfold with the velocity, complexity and precision of a Bach fugue played on overdrive" (New York Times, 03/12/2010)I found that quote as I was looking for a picture of the movie poster to use. It sums up the issues I have with Greengrass's filming: hand-held camerawork and staccato editing. Scott makes it sound so impressive and classic, pulling in Bach to compare, but as a viewer, I can't stand it! It makes it so hard to follow what the heck is happening on the screen! Trying to focus actually gives me a headache, and I have good eyes. I can't imagine trying to follow one of his movies if your eyes are weaker!
Overall: 2 of 5. Lots of potential not met. Good cast, but they could have been used better. Source material would have made for a great political thriller, but instead, we end up with another formulaic war action movie. Really irritating camera work - not for those with bad eyes.
